About

Bengt Rahm

Bengt Rahm is a multidisciplinary artist whose practice investigates the image as an unstable and contingent construct rather than a fixed document. Working with photography, generative systems, sound, and time-based media, his work examines how material can be reorganised, fragmented, and rewritten through process-based and algorithmic methods.

Central to his practice is a long-term engagement with landscape, approached not as representation but as a structural and temporal field. Rahm treats photographic and sonic material as data, subject to repetition, displacement, and recomposition, foregrounding the archive as an active and performative system rather than a mode of preservation.

Operating within a post-photographic framework, his work explores questions of mediated perception, memory, and authorship, and how technological systems shape contemporary image and sound production. Through spatial sequencing and temporal extension, Rahm’s projects investigate how landscapes are continuously abstracted, archived, and transformed across media.

Bengt Rahm holds a Master of Fine Arts from Konstfack University of Arts, Crafts and Design.